With the solo exhibition sieben jahre (seven years), the Walter Storms Gallery presents an overview of the works created by Viola Bittl (born 1980) during her creative years. The exhibition marks a moment of retrospection that can be interpreted both as an end point and a new beginning

Rupprecht Geiger (1908–2009) was one of the defining figures of postwar non-figurative painting in Germany and a co-founder of the artists’ group ZEN 49. Beginning in the 1950s, he developed a rigorously reduced geometric visual language centered on blue, yellow, red, and magenta. The current exhibition includes a striking juxtaposition of two paintings from 1949 and 2007, tracing the development of Geiger’s work from landscape to abstraction.

Sean Scully, born in Dublin in 1945, has created one of the most extensive bodies of work since the 1970s, which continues to shape the contemporary geometric abstraction to this day. After opening the new location of the Walter Storms Gallery in 2009, Scully now returns to Munich’s Schellingstraße with a third solo exhibition, presenting the monumental painting “Red Chamber” alongside a rare early work featuring linear structures and more recent paintings.

Stanislav Kolíbal, born in 1925, developed a sculptural and graphic oeuvre from the early 1950s onwards which, in its reduction to simple structures and materials, occupies a strong conceptual position within the art movements of Minimal Art and Arte Povera. The current exhibition features 30 watercolors from recent years, along with two wood reliefs by the artist, who is now 100 years old.